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FEATURES AND EDITORIAL POLICY:Slanting or angling feature

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Feature and Column Writing ­ MCM 514
VU
LESSON 10
FEATURES AND EDITORIAL POLICY
In Pakistan, every year if not thousands, then hundred of newspapers and magazines are published. In
1988, when the new ordinance for the procurement of the declaration was made easy, it also increased the
number of venturists many fold. However, there few which were published for a year or so or they got
popularity among the readers.
In the same manner, many youngsters came to journalism but quit after some time, while only few
remained in the field and were successful too. This is primarily due to the reason that those writers or
journalists did not abide by the editorial policies of the newspapers; hence they are never needed by the
newspapers. They deemed that they are not involved in `self-expression' and the policy of the newspaper
nor anything else must hinder their way. They forgot that the writings of the newspaper are not literary
(that is, to act as `literature' or as a `book') rather these are journalistic, and are written for the readers.
The editors believe that quite a large number of writings are printed as those are not in accordance with
the character and policy of the newspaper, and they think that the writers should be trained into clarity
and maturity of mind. Most of the articles and features are not published just for the mere consideration
that the writers want them to be printed.
Slanting or angling feature
Giving turn or twist to the subject as per the editorial policy ­ anti-government or social ­ is an almost
certainty that the feature could get published. In journalistic terms, it is called as `slanting' a feature.
One can learning it from newspaper reading, that is, the subjects ­ what kind of subjects are being picked
up by the writers ­ and their treatment ­ how the writers are treating them, that is, from what perspective
they write about the subject.
Many a time, it also happens that one newspaper has rejected a particular feature, while the other has
published it. It is primarily because of the difference of the editorial policy of various newspapers.
However, every feature can be printed in every newspaper, except a few exceptions, and which is possible
either by deleting or adding some material, which is either required or not needed.
Secondly, length or subject of the feature can be a problem. Different newspapers need different lengths
of features besides being comfortable about a particular subject.
Look at one of the ordinary levels, that is, selection of pictures and vocabulary, and writing captions,
fresh writers do not consider all these as important as these are. Resultantly, their features are rejected.
When a writer selects a suitable subject, then he must write according to the editorial policy of the
newspaper, he is targeting. He must consider the making of the feature, general impression, details to be
included or excluded, length, crux, pictures, language, and facts, which must be all there according to the
editorial policy.
New writers keep on writing in their own flows, and then the put the onus of their failures on novelty and
modernism. They never realize that creation the last two, take a lot of effort. They must realise that what
is being published, from what angle and what the editor demands.
However, the question arises: Why writers fail in slanting the features according to the editorial policy of
the target newspaper? Firstly, it is primarily because of the `Ignorance about editorial policy'. If one
editor has rejected his feature, it could be published by another. It does not mean problem with the
subject, rather it is the editorial policy.
The writer must know about the target newspaper. To know this, one must be involving himself in the
Constant reading of the paper, and see the treatment of various themes, and the kind of subjects being
picked up.
Secondly, he must be which ideologies are being favoured or rejected or whether it is being done though
the direct approach or in an indirect manner.
On the other hand, a few of the feature writers want that the editorial policy must be according to the
wishes without realizing that it is never changed for one writer.
Good writers are always required by a newspaper, but most of the write-ups are of ordinary nature. On the
other hand, some newspapers develop writers, but not all of them.
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Feature and Column Writing ­ MCM 514
VU
On the other hand, quite a few features are rejected owing to the reason that they are trite, and nothing
new is discussed.
Knowing what the editor wants!
It is a must to know what the editor intends to print, and if the feature is according to the editor's
requirements, then it is printed for sure whereas the editor outlines its requirements according to the
wishes of his readers. For instance, if the editor wants that a certain feature must be written at a particular
time, and his readers will take interest in that, the editor will get it written.
In order to do this, the writer must listen to what the editor wants him to write and in turn, act on the
directions in true spirit. Good editor makes writer understand what his readers wants to read, and meeting
the editor is a must as he tells the writer what he cannot understand from mere newspaper reading.
However, the editor can bring changes in the editorial policy, when he sees change in the demands of the
readers, but it is never an easy thing to do, and never done impulsively. Secondly, the editor gives the
writer latest update about the change in the editorial policy of the newspapers.
Know what you can do best!
It is a must for the writer to know on what he can write best. If he can write on social issues better, he
must not attempt at political subjects, as it can be against his nature. It does nothing, but helps in the
writer's failure.
On the other, a few of the writers, when they have not developed their own style, try to copy masters of
that particular area. `Never try to copy the style of others', as you are born with your own and you can use
it to the best possible extent and become a success story. Remember! It is a small world, and rarely
copying goes amiss. Hence, it is better to follow your instincts.
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Table of Contents:
  1. IMPORTANCE OF LANGUAGE:Feature writing, Explanation of the definition
  2. SOURCES OF MATERIAL:Commemorations, Science and Technology
  3. INTERNET USAGE IN FEATURE WRITING:Be very careful, Website checklist
  4. WHAT MAKES A GOOD FEATURE?:Meeting demands of readers
  5. DEMANDS OF A FEATURE:Entertainment and Interest, Both sides of picture
  6. CONDUCTING AND WRITING OF INTERVIEWS:Kinds of interviews
  7. WRITING NOVELTY INTROS:Punch or astonisher intros, Direct quotation intros
  8. STRUCTURE OF FEATURES:Intro or Lead, Transition, Body
  9. SELECTION OF PICTURES, ILLUSTRATIONS AND MAPS:Sources
  10. FEATURES AND EDITORIAL POLICY:Slanting or angling feature
  11. HUMAN INTEREST AND FEATURE WRITING:Obtaining facts, Knowing how to write
  12. NEWSPAPER FEATURE STORY:The Business Story, The Medical Story
  13. THE NEWSPAPER FEATURE STORY IDEA:Conflict, Human interest
  14. MAGAZINE FEATURE VERSUS DAILIES:Feature versus Editorial, An overview
  15. WRITING THE SPECIALISED FEATURE STORY:The Deadline Feature Sidebar
  16. MODERN FEATURE AND ITS TREATMENT:Readers’ constraints
  17. MODERN FEATURE WRITING TECHNIQUE:The Blundell Technique
  18. ADVICE TO FEATURE WRITERS:A guide to better writing, Love Writing
  19. COLUMN WRITING:Definition, Various definitions, Why most powerful?
  20. COLUMN WRITING IN MODERN AGE:Diversity of thought, Individuality
  21. ENGLISH AND URDU COLUMNISTS:More of anecdotal, Letting readers know
  22. TYPES OF COLUMNS:Reporting-in-Depth Columns, Gossip Columns
  23. OBJECTIVES AND IMPORTANCE OF COLUMNS:Friendly atmosphere, Analysis
  24. WHAT ARE THE ESSENTIALS AND BASIC POINTS THAT GO IN TO THE FORMING OF A COLUMN?
  25. STYLE:General and a specialised writing, How can a columnist improve it?
  26. GENERAL STYLE OF THE COLUMN:Unified Style, Anecdotal Style, Departmental Style
  27. STRUCTURE OF A COLUMN:Intro or lead, Main body, Conclusion
  28. COLUMN WRITING TIPS:Write with conviction, Purpose, Content
  29. SELECTION OF A TOPIC:Close to your heart, Things keeping in Queue
  30. QUALITIES OF A COLUMN WRITER:Personal, Professional, Highly Educated
  31. WHAT MUST BE PRACTISED BY A COLUMNIST?:Pleasantness, Fluency
  32. SOURCES OF MATERIAL OF COLUMNS:Constant factors, Interview
  33. USEFUL WRITING DEVICES:Be specific, Use Characterisation, Describe scenes
  34. COMMON WRITING PROBLEMS:Eliminate clichés, Don’t misuse words
  35. WRITING THE COLUMN:Certain thumb rules, After writing the column
  36. ARTICLE WRITING:Introduction, Definition, Contents, Main Segments, Main body
  37. HOW TO WRITE AN ARTICLE?:It is more efficient, It is more believable
  38. TYPES AND SUBJECTS OF ARTICLE:Interview articles, Utility articles
  39. FIVE COMMANDMENTS, NO PROFESSIONAL FORGETS:Use Key Words
  40. ARTICLES WRITING MISTAKES:Plagiarising or 'buying articles, Rambling
  41. WRITING THE ARTICLE:Various parts of article, The topic sentence
  42. What to do when you have written the article?:Writing the first draft
  43. TEN STANDARD ARTICLE FORMATS:The informative articles
  44. LEGAL AND ETHICAL CONSIDERATIONS FOR WRITERS:Libel, Doctoring Quotes
  45. REVISION:Importance of language, Feature writing, Sources of material