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ASSIGNMENT/NEWS EDITOR:Accuracy, Fairness and Reliability, Conflict

<< DUTIES OF A NEWS PRODUCER
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TV News Reporting and Production ­ MCM 516
VU
LESSON 33
ASSIGNMENT/NEWS EDITOR
The assignment editor is one who assigns and monitors the activities of reporters, camera crew and
other people in the field, works closely with the news producer. Since speed id important in telecast
news, there is great pressure on the assignment editor to get crews to the story in the shortest amount of
time.
Then of course, there are the glamour jobs like on-air reporters and anchors. Most reporters in telecast
news function as general assignment reporters, although the large market stations might have one or two
regularly assigned to a beat, such as the entertainment scene. In many stations, anchors occasionally do
the field reports, but most of the times they perform their work in the studios, preparing the upcoming
newscast.
In addition to people seen on camera, there are quite a few workers whom no one sees or hears.
Photographers or cameramen accompany reporters to shoot the videos. Tape editors trim the footage
into the segments that fit within the time allotted to the story. Big stations also have news writers and
production assistants who pull slides and arrange other visual needed during the news cast.
Obviously the chain of gatekeepers in the telecast news is a long and complicated one, starting from the
assignment editor and ending with the anchor, usually more than a half-dozen people have some say, so
over the final shape of the newscast.
Sometimes, the way a story ends up might be drastically different from the way it started at he
beginning of the gatekeeper chain, it is not unusual for a reporter to work all day on a story and then be
told by a producer that the story will get only seconds of airtime.
News editor is one who supervises all the producers in the news room. Typically producers are assigned
to the early morning, morning, noon, evening, night, and late-night newscast. In addition to looking
after the producer, News editor might also produce the evening news, typically the stations most
important programme.
Organization of a TV news room
News director
Executive producer
Assignment editor
Producers
Reporters
Editors
An assignment editor has to take care of all the preparation of news, so while writing news following
points should be remembered.
Accuracy
The first essential of news writing is accuracy.
Fairness and Reliability
Every reporter should remember that a news channel reputation for fairness and reliable rests upon an
accurate presentation of the facts.
Factual position
The number and class of people who would be interested in them as well as the need for telecasting
them while they still have news value should also be kept in mind.
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TV News Reporting and Production ­ MCM 516
VU
Nearness and proximity
The geographical nearness of an event does add to interest.
Conflict
The readers have a lot of interest in all sorts of conflict or contests.
Suspense and mystery
The suspense and mystery also keeps the viewers glued to the television channels.
Oddity and novelty
The odd and novel news items have more human interest.
Prominence
The big names make big news, is the key rule while selecting the news items.
Consequence
The result of a particular event on public or a specific group of people makes the news mention-worthy.
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Table of Contents:
  1. CREATIVITY AND IDEA GENERATION FOR TELEVISION:Video Procedures
  2. PRE-REQUISITES OF A CREATIVE PRODUCER/DIRECTOR:SET-UP RESPONSIBILITIES
  3. REFINING AN IDEA FOR PRODUCTION:Drama, Magazine Shows, Documentary
  4. CONCEPT DEVELOPMENT:Variable. Pure and applied research
  5. RESEARCH AND REVIEWS:Research Procedure, Review of available literature
  6. SCRIPT WRITING:Elements of a successful story, Characters, Effects
  7. PRE-PRODUCTION PHASE:Indoor production, Outdoor production, Essentials of PBE
  8. SELECTION OF REQUIRED CONTENT AND TALENT:Camera rehearsal
  9. PROGRAMME PLANNING:Checklist, Electronic Field Production (EFP)
  10. PRODUCTION PHASE:Floor plan, Traditional set, Representational set, Design elements
  11. CAMERA WORK:Movement of lens of camera, Types of shots
  12. LIGHT AND AUDIO:Importance of sound in TV, Use of microphone, Loudness
  13. DAY OF RECORDING/PRODUCTION:Rehearsals,Point to ponder
  14. LINEAR EDITING AND NLE:Episode, Scene, Editing, Production Switcher
  15. MIXING AND USES OF EFFECTS:Live Sound Effects, ARROW STRIKING
  16. SELECTION OF THE NEWS:Elements of news, Timeliness, proximity
  17. WRITING OF THE NEWS:The inverted pyramid, Lead, Credit line
  18. EDITING OF THE NEWS:Characteristics of good news:Process of editing a news
  19. COMPILATION OF NEWS BULLETIN:Hard news, Soft news, Investigative report
  20. PRESENTATION OF NEWS BULLETIN
  21. MAKING SPECIAL BULLETINS:Agriculture, Show biz, Fashion, Drama
  22. TECHNICAL CODES, TERMINOLOGY, AND PRODUCTION GRAMMAR
  23. TYPES OF TV PRODUCTION:Magazine Shows, Specific audience programming
  24. DRAMA AND DOCUMENTARY:Documentary film, Defining documentary
  25. SOURCES OF TV NEWS:Reporters, Correspondents, Monitoring, News Agency
  26. FUNCTIONS OF A REPORTER
  27. BEATS OF REPORTING:City reporter, Social reporters, Show-biz reporter
  28. STRUCTURE OF NEWS DEPARTMENT:Beat Reporters, Online media
  29. ELECTRONIC FIELD PRODUCTION:Sports, Electronic news gathering
  30. LIVE TRANSMISSIONS:Studio floor, Switcher, Master control room, Camera control units
  31. QUALITIES OF A NEWS PRODUCER:Determination, Awareness, Sharp an active
  32. DUTIES OF A NEWS PRODUCER
  33. ASSIGNMENT/NEWS EDITOR:Accuracy, Fairness and Reliability, Conflict
  34. SHOOTING A NEWS FILM:The Influence of telecast News
  35. PREPARATION OF SPECIAL REPORTS:Uncovering Truth, Reportage
  36. INTERVIEWS, VOX POPS AND PUBLIC OPINIONS:INTERVIEW, Information
  37. BACK GROUND VOICE AND VOICE OVER:Natural or Raw Sound, Sound Effects
  38. SPOKEN WORDS AND RELEVANT VISUALS:Digital Audio, Quantizing Error
  39. TALK SHOWS, FORUMS AND DISCUSSION PROGRAMMES
  40. FUNCTIONS OF VARIOUS DEPARTMENTS OF A TV SET UP
  41. PROGRAMMES DEPARTMENT:Program content, Television series by genre
  42. NEWS AND CURRENT AFFAIRS THE PROGRAMMING & SCHEDULING
  43. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION
  44. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION - 2 SUB-DEPARTMENTS AND SMALL SECTIONS
  45. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION 3