ZeePedia

PRESENTATION OF NEWS BULLETIN

<< COMPILATION OF NEWS BULLETIN:Hard news, Soft news, Investigative report
MAKING SPECIAL BULLETINS:Agriculture, Show biz, Fashion, Drama >>
img
TV News Reporting and Production ­ MCM 516
VU
LESSON 20
PRESENTATION OF NEWS BULLETIN
There are many types of news telecast and each one is presented in different manners and prepared in
different style. Probably the most elementary type of news telecast is one in which the television
reporters find it necessary to process news items, making them worthy watching and hearable than
readable.
Everyone experienced in the field of electronic media knows that there are newscasters and
newsreaders, who merely read a news bulletin, and the news anchors or the news commentator, who
take the news of the day, relate it to happening of the past and to those of probable future, and analyze
its significance.
The speaker, who puts a great deal of his personality into such presentation, gives this news telecast in a
less formal manner. The news that is presented by a commentator may be coloured by his/her own
attitude or by the policy of either his station or the sponsor, if the news telecast is sponsored.
The viewers are tuning in on a programme, anchors usually save their most important item for second
place unless their news is preceded by the lengthy announcements. An item of national or international
interest is considered most important.
The news-anchor attempts to tie up today's story with the news of yesterday, forming sort of `continued
story' effect which shows how the events of the yesterday have led to those of today, and how these
events may effect the society and history in the future.
During the course of programme the news commentator includes some human-interest stories. It is good
practice to insert short, bright, and fast moving items between long news features. As the news reporter
or producer, the news anchor must have the sense of what will appeal the greatest number of viewers:
Weather is subject of universal interest while financial statement will interest only a limited class. The
conversational news of the news anchor is not so immediate as that presented in the press news report.
Some news anchors speak extemporary from the notes, cleverly changing their pace and pitch to
conform to content of the items and to mark a change of subject.
There are news anchors who endeavour to their items together regardless of their relationship; to do this
sometimes results in monotony. The news anchor must not allow the news items to cause alarm or
anxiety for the safety of friends or relatives of the viewers.
The larger rather all the news channels maintain their own ticker service, which is used as the basis for
the manuscript prepared by the news producers.
The great problem of the news broadcaster is that his program is a daily feature and in many instances
may run as many as three or more times a day, rather on hourly basis as is being done presently. To be
able to find material and methods of presenting material is a problem.
Here in our electronic media mostly news producer, reporters and even anchors are formerly newspaper
or radio newsmen who have developed a good sense of news values. Many of the news anchors have
travelled extensively or acted as field reporters so that they have a background that is helpful in
presenting a news bulletin in impressive and interesting manner.
Undoubtedly the most important prerequisite for the presentation of any item to be telecast is that it be
news, and that it be either significant or have human appeal. The television news editor considers
whether the item will have mass appeal or whether it is unusual.
If the item is not of national, international or state interest the telecaster is concerned whether it deals
with the locale within the primary range of the television station. If the persons who are involved are of
particular importance, the item has news value.
78
img
TV News Reporting and Production ­ MCM 516
VU
Many TV stations and the sponsoring agencies require that their telecast combine information with
entertainment and consequently humorous and human-interest stories are mixed together and
interspersed between the more significant items or are used in the conclusion of the news telecast.
It is always better to avoid shocking and frightening, dreadful and horrible news item and stories like
court trials with unpleasant angles, particularly of gender, social evils, divorces except of famous
personalities, crime only outstanding cases and that to minimized, capital punishment, except that which
has resulted from trials which have been in the public eye.
This does not mean that all unpleasant cases and distasteful items are discarded; it does mean that as far
as possible the television reporter and producer avoids being alarmist. This is the result of the
television's whole-family audience.
Furthermore, in presentation of news bulletin the news producer must take into consideration that he
may be held for defamation, libel or slander, blasphemy, immoral telecast, contempt of court of sedition
and select items to avoid any of such charges. The time of the day when the news is to be telecast
influences the selection and presentation of items. Cancer, reptiles, false teeth, are not the topics for
mealtime news telecast.
Of course accuracy is essential in the reports of news bulletins, as an inaccurate news item cannot be
killed as it can be in a newspaper.
79
Table of Contents:
  1. CREATIVITY AND IDEA GENERATION FOR TELEVISION:Video Procedures
  2. PRE-REQUISITES OF A CREATIVE PRODUCER/DIRECTOR:SET-UP RESPONSIBILITIES
  3. REFINING AN IDEA FOR PRODUCTION:Drama, Magazine Shows, Documentary
  4. CONCEPT DEVELOPMENT:Variable. Pure and applied research
  5. RESEARCH AND REVIEWS:Research Procedure, Review of available literature
  6. SCRIPT WRITING:Elements of a successful story, Characters, Effects
  7. PRE-PRODUCTION PHASE:Indoor production, Outdoor production, Essentials of PBE
  8. SELECTION OF REQUIRED CONTENT AND TALENT:Camera rehearsal
  9. PROGRAMME PLANNING:Checklist, Electronic Field Production (EFP)
  10. PRODUCTION PHASE:Floor plan, Traditional set, Representational set, Design elements
  11. CAMERA WORK:Movement of lens of camera, Types of shots
  12. LIGHT AND AUDIO:Importance of sound in TV, Use of microphone, Loudness
  13. DAY OF RECORDING/PRODUCTION:Rehearsals,Point to ponder
  14. LINEAR EDITING AND NLE:Episode, Scene, Editing, Production Switcher
  15. MIXING AND USES OF EFFECTS:Live Sound Effects, ARROW STRIKING
  16. SELECTION OF THE NEWS:Elements of news, Timeliness, proximity
  17. WRITING OF THE NEWS:The inverted pyramid, Lead, Credit line
  18. EDITING OF THE NEWS:Characteristics of good news:Process of editing a news
  19. COMPILATION OF NEWS BULLETIN:Hard news, Soft news, Investigative report
  20. PRESENTATION OF NEWS BULLETIN
  21. MAKING SPECIAL BULLETINS:Agriculture, Show biz, Fashion, Drama
  22. TECHNICAL CODES, TERMINOLOGY, AND PRODUCTION GRAMMAR
  23. TYPES OF TV PRODUCTION:Magazine Shows, Specific audience programming
  24. DRAMA AND DOCUMENTARY:Documentary film, Defining documentary
  25. SOURCES OF TV NEWS:Reporters, Correspondents, Monitoring, News Agency
  26. FUNCTIONS OF A REPORTER
  27. BEATS OF REPORTING:City reporter, Social reporters, Show-biz reporter
  28. STRUCTURE OF NEWS DEPARTMENT:Beat Reporters, Online media
  29. ELECTRONIC FIELD PRODUCTION:Sports, Electronic news gathering
  30. LIVE TRANSMISSIONS:Studio floor, Switcher, Master control room, Camera control units
  31. QUALITIES OF A NEWS PRODUCER:Determination, Awareness, Sharp an active
  32. DUTIES OF A NEWS PRODUCER
  33. ASSIGNMENT/NEWS EDITOR:Accuracy, Fairness and Reliability, Conflict
  34. SHOOTING A NEWS FILM:The Influence of telecast News
  35. PREPARATION OF SPECIAL REPORTS:Uncovering Truth, Reportage
  36. INTERVIEWS, VOX POPS AND PUBLIC OPINIONS:INTERVIEW, Information
  37. BACK GROUND VOICE AND VOICE OVER:Natural or Raw Sound, Sound Effects
  38. SPOKEN WORDS AND RELEVANT VISUALS:Digital Audio, Quantizing Error
  39. TALK SHOWS, FORUMS AND DISCUSSION PROGRAMMES
  40. FUNCTIONS OF VARIOUS DEPARTMENTS OF A TV SET UP
  41. PROGRAMMES DEPARTMENT:Program content, Television series by genre
  42. NEWS AND CURRENT AFFAIRS THE PROGRAMMING & SCHEDULING
  43. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION
  44. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION - 2 SUB-DEPARTMENTS AND SMALL SECTIONS
  45. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION 3