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PRODUCTION PHASE:Floor plan, Traditional set, Representational set, Design elements

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TV News Reporting and Production ­ MCM 516
VU
LESSON 10
PRODUCTION PHASE
The production phase starts with the set designing in the indoor programmes as the set is of the vital
importance in any kind of production.
Floor plan
The floor plan allows you to sketch the approximate locations of sets, props, cameras, talent, etc. This
overhead view makes it easy to consider distance, angles and other factors that may be crucial to setting
up your production. At a TV station some of the studio may be occupied by semi-permanent sets that
remain in place for extended periods of time.
There are different types of sets as per he demand of the producer and the nature of the
programmes:
Traditional set
The sets with traditional look having arches and building designs are the one mostly used in historical
plays.
These sets are also called "hard or real sets" as are made by hard material like wood and metal.
These sets involve a lot of furniture and other decoration items to give the production a classical touch.
Contemporary set
Now a days the sets used in television industry are mostly graphical with computer generated effects.
These sets are also called "soft or virtual sets" as are made by computer graphics using chrome key and
animations.
Chrome key is to place a synthetic background behind the key talent that may be compare, or an anchor.
Lighting set
The set in which different lighting patterns are used to give the symbolic representation of the mood of
the programmes are called lighting set, and different colours of lights are used in it.
Black screen set
In this kind of set the horizon of the studio wall is utilized with out any light on it giving an impact of
darkness all around but a spot light on the characters.
Single screen set
This set is used when only one object or character is to be recorded for some programme that may be
linking of a show or a magazine show with single background.
Two-screen set
This set is used when two persons are talking to each other; mostly in talk shows such kind of sets is
used.
Three-screen set
The programmes having the participants or panelists on both sides of anchor involve three-screen sets.
Today with latest innovation in computer graphics technology to create highly realistic or fully
imaginative environment, a virtual set is the replacement for the real or physical set. They can be
integrated into telecast production in replacement of or in combination with a real set.
In theory, design categories in television production are readily classified with the programme types and
utility. There are three types in this regard.
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TV News Reporting and Production ­ MCM 516
VU
Non-representational set
In this kind of sets the scenery for general background purpose is used.
News
Interviews
Talk shows
Forums
Political discussions
Analysis and opinion
Religious programmes
Representational set
These set are used in the programmes where the story or the plot content is of fictional nature.
Drama
Show
Documentary
Celebrity show
Magazine show
Science show
Children show
Women show
Abstract sets
In such sets there is more margin of diversity as these are stylized sets.
Musical concerts
Mega shows
Extravaganza
Variety show
Design elements
Following are the elements of the design:
Line
It is any mark connecting two points that may be curved or straight.
Shape
It is any thing that has height and width and the basic shapes are rectangle, triangle and circle.
Texture
It is the look and feel of the surface.
Space
It is the distance or the area between and around different things.
Size
It is how large or small a thing can be.
Work procedure of design department
Producer designer discussion
Planning
Concept
Floor plan
Producer's approval
Budgeting
Purchase process
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TV News Reporting and Production ­ MCM 516
VU
Property store
Carpenter workshop
Welding if any
Painting workshop
Erection of set in studio
Set decoration
Recording
Dismantling after recording
Whenever viewers sit in front of television, they have an impression of total reality. They seem to be
there, where the action is, seeing every thing as it is happening, for a production team has combined
their various skills to built up a carefully continued illusion, through a cunning blend of camera work,
lighting, set design, audio control and mixing, script, dialogues, performance, editing, makeup and last
but not the least direction. Hence the set designer is an important member of the production team.
Make up techniques
During production following basic make up improvements are to be made for the better
appearance of the artists on the screen:
Shiny baldhead, Untidy hair, hair too light or dense in camera
Perspiration shine
Deep eye sockets, eyes lack definition
Shiny nose
Beard lines prominent despite shaving
Wrinkles on the neck
Lips definition
Age lines over prominent
Ears too light, different colour than adjacent skin
Eyebrows barely discernable
Essentials of Make up
General treatment
Nose treatment
Eye treatment
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Table of Contents:
  1. CREATIVITY AND IDEA GENERATION FOR TELEVISION:Video Procedures
  2. PRE-REQUISITES OF A CREATIVE PRODUCER/DIRECTOR:SET-UP RESPONSIBILITIES
  3. REFINING AN IDEA FOR PRODUCTION:Drama, Magazine Shows, Documentary
  4. CONCEPT DEVELOPMENT:Variable. Pure and applied research
  5. RESEARCH AND REVIEWS:Research Procedure, Review of available literature
  6. SCRIPT WRITING:Elements of a successful story, Characters, Effects
  7. PRE-PRODUCTION PHASE:Indoor production, Outdoor production, Essentials of PBE
  8. SELECTION OF REQUIRED CONTENT AND TALENT:Camera rehearsal
  9. PROGRAMME PLANNING:Checklist, Electronic Field Production (EFP)
  10. PRODUCTION PHASE:Floor plan, Traditional set, Representational set, Design elements
  11. CAMERA WORK:Movement of lens of camera, Types of shots
  12. LIGHT AND AUDIO:Importance of sound in TV, Use of microphone, Loudness
  13. DAY OF RECORDING/PRODUCTION:Rehearsals,Point to ponder
  14. LINEAR EDITING AND NLE:Episode, Scene, Editing, Production Switcher
  15. MIXING AND USES OF EFFECTS:Live Sound Effects, ARROW STRIKING
  16. SELECTION OF THE NEWS:Elements of news, Timeliness, proximity
  17. WRITING OF THE NEWS:The inverted pyramid, Lead, Credit line
  18. EDITING OF THE NEWS:Characteristics of good news:Process of editing a news
  19. COMPILATION OF NEWS BULLETIN:Hard news, Soft news, Investigative report
  20. PRESENTATION OF NEWS BULLETIN
  21. MAKING SPECIAL BULLETINS:Agriculture, Show biz, Fashion, Drama
  22. TECHNICAL CODES, TERMINOLOGY, AND PRODUCTION GRAMMAR
  23. TYPES OF TV PRODUCTION:Magazine Shows, Specific audience programming
  24. DRAMA AND DOCUMENTARY:Documentary film, Defining documentary
  25. SOURCES OF TV NEWS:Reporters, Correspondents, Monitoring, News Agency
  26. FUNCTIONS OF A REPORTER
  27. BEATS OF REPORTING:City reporter, Social reporters, Show-biz reporter
  28. STRUCTURE OF NEWS DEPARTMENT:Beat Reporters, Online media
  29. ELECTRONIC FIELD PRODUCTION:Sports, Electronic news gathering
  30. LIVE TRANSMISSIONS:Studio floor, Switcher, Master control room, Camera control units
  31. QUALITIES OF A NEWS PRODUCER:Determination, Awareness, Sharp an active
  32. DUTIES OF A NEWS PRODUCER
  33. ASSIGNMENT/NEWS EDITOR:Accuracy, Fairness and Reliability, Conflict
  34. SHOOTING A NEWS FILM:The Influence of telecast News
  35. PREPARATION OF SPECIAL REPORTS:Uncovering Truth, Reportage
  36. INTERVIEWS, VOX POPS AND PUBLIC OPINIONS:INTERVIEW, Information
  37. BACK GROUND VOICE AND VOICE OVER:Natural or Raw Sound, Sound Effects
  38. SPOKEN WORDS AND RELEVANT VISUALS:Digital Audio, Quantizing Error
  39. TALK SHOWS, FORUMS AND DISCUSSION PROGRAMMES
  40. FUNCTIONS OF VARIOUS DEPARTMENTS OF A TV SET UP
  41. PROGRAMMES DEPARTMENT:Program content, Television series by genre
  42. NEWS AND CURRENT AFFAIRS THE PROGRAMMING & SCHEDULING
  43. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION
  44. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION - 2 SUB-DEPARTMENTS AND SMALL SECTIONS
  45. COORDINATION AMONG DIFFERENT DEPARTMENTS OF TELEVISION 3