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Journalistic
Writing MCM310
VU
LECTURE
35
NEWS
WRITING II
"I
want stories to startle and
engage me within the first
few sentences, and in their
middle to widen or deepen
or
sharpen my knowledge of human activity,
and to end by giving me a
sensation of completed
statement."
-
John Updike
Reporting
boils down to three
things:
1.
Accuracy
As
a reporter, you have a lot
of power. What you write
can influence decisions, help
form public opinions
of
people
and
contribute
to
the
general
attitude
of
your
readers.
With
that power come responsibilities that
can't be taken lightly. Get
a fact wrong, misspell a name or
omit a
vital
piece of information and you
not only can distort the
truth and misinform the
public, but you also
damage
the
credibility of your newspaper.
Guard it carefully.
2.
Clarity
Newspaper
writing is not academic
writing. We don't use big
words and long sentences to
show our readers
how
smart we are. Newspaper
readers are pressed for
time. You have to give them the news
quickly, concisely
and
without a lot of extra words
or information they don't need.
Every story competes for a
reader's attention
...
against other stories,
against the TV in the background, against
every distraction you can
think of.
With
every story you write, ask
yourself: What
is the news here? Why
should my readers care? What
does
this
mean to them? Your
lead, and then the rest of
your story, should spring from
those questions.
Then,
ask yourself (and the people around you),
"What questions will the
reader have that I need to
answer?"
Jot
them
down,
and
be
sure
none
are
left
unanswered.
Write
short: short sentences, short paragraphs, short
stories. Use simple
language. Think hard about
every
word
you use. Is it
necessary? Is there a
clearer, concise way
to say this?
Read
your story aloud. It sounds dumb, but
you'll spot places that
don't sound right and
might trip up the
reader.
3.
Style
Good
writers are artists. Good
news writers are, too. They
can entertain, inspire, anger and
educate. News
stories
don't have to follow the
old, worn-out, inverted pyramid
format. Sure, you'll still
use it sometimes,
particularly
for important, breaking news on
deadline. But look for
opportunities to veer from
that format into
something
more interesting. Never forget,
though, that your No. 1
objective is to tell people what they need
to
know
-- not to show them how much
of a literary artist you
are.
First
five paragraphs
All
the work of producing a news story is
futile if the story does not
engage the reader immediately.
Writing
coaches
have identified four key
elements that should be present in the
first five paragraphs of any
news story
(not
necessarily in any particular order). They
are:
News
The
newest information: the basic
facts of who, what, when,
where, why and how
... the most relevant
information.
Impact
what
a situation means and who is
affected. Tells readers what the
news changes about their
lives and, maybe,
133
Journalistic
Writing MCM310
VU
what
they should do.
Context
The
general perspective, which
frames the background of the news,
addresses the relationship of things around
the
news. Context helps readers
understand whether something is normal or
surprising.
Emotion
The
human dimension takes a story
from abstract to reality. It offers
personal elements that help
readers
understand
the story. This is not necessarily a quote,
but it could be.
Neil
Hopp's
"First
Five"
formula
(Inverted
Pyramid
Structure
of
News)
(Hopp
is the former writing coach at the
Northwest Herald in Crystal
Lake)
1.
Effective lead. Focused, short,
memorable
2.
A second paragraph that amplifies the
lead.
3.
A third paragraph that
continues to build detail.
4.
Nut graph. Provides context
or tells reader why this is
important.
5.
Power quote: An interesting quote that
propels meaning. Not just a
fluffy quote that gets in the
way.
Leads
Before
you write, know your
point: What
is this story about and why is it
important?
Common
problems in leads
·
Cluttered.
More than one
idea.
·
Flabby.
It says, "I don't know what this story is
about."
·
Dull.
Ho-hum. No tension. No energy that
drives the writing
forward.
·
Mechanical.
No human voice, no "music." Just another
burger and fries.
·
Closed.
A private conversation between those
who speak the same jargon. It
says, "Stay away.
You
don't
know enough to read
this."
·
Predictable.
Written in journalese or bureaucratese.
Clichés. No surprises, no unexpected
words of
phrases
that are unexpected and
that delight us as they capture
and clarify a news event. No
"chuckle
quality."
Qualities
of Effective Leads
·
Focus.
Make a specific promise to the
reader, and then
deliver.
·
Context.
Involve the reader. Show
clear, immediate significance. Answer the
question, "Why should I
read
this story?"
·
Form.
Implies a design, a plan, a structure, a
pattern that will help the
reader understand the
meaning.
·
Information.
Whets the readers' appetite, promises
delivery.
·
Voice.
A human voice talking to the reader.
Provides the "music" to support the
meaning of what is
being
read.
·
Surprise.
The promise of something
new.
SVO<24
What's
that mean? Subject-verb-object
sentences
of generally less than 24
words.
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Journalistic
Writing MCM310
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Good
writing starts with good
sentence structure, and that
means simple construction: subject-verb-object.
Not
blah,
blah, blah, S-V-O. All that
does is delay
meaning.
This
also is called the right-branching
sentence:
Think of S-V-O as the engine of a
train. A short train
Problem
writers use a lot of commas
and other punctuation. A
good remedial exercise is to
try writing a story
with
no commas. That, of course,
means sentences should be short. Research
shows that 20-word
sentences
are
fairly clear to most
readers. Thirty-word sentences
are not.
Here's
an even easier test: If you
can't read a sentence aloud
without taking a breath,
it's too long.
TEN
GUIDELINES TO CLEARER
WRITING
1.
One idea per
sentence.
No:
Columbine
High School in Littleton, Colo.,
experienced the largest of recent
high school murder
rampages
last
week, and DeKalb schools,
along with police, are reacting to a
rumor of violence at DeKalb High
School.
Yes:
School
officials and police are
reacting quickly to a rumored threat of violence at
DeKalb High School.
The
response follows last week's
high school massacre in
Littleton, Colo.
2.
Limit sentence length to
23-25 words. If you
can't read a sentence aloud
without a breath, it's too
long.
3.
S-V-O: Subject-Verb-Object. Right-branching
sentences (think of a train
engine). Don't delay
meaning.
Don't
use a lot of commas.
No:
Mauger,
who worked as a bursar at
DePaul University in Chicago
prior to working at Beloit,
said she
missed
the university environment.
Yes:
Mauger
was a bursar at Chicago's
DePaul University before her
Beloit job. She missed the
university
environment.
4.
Use strong verbs and an
active voice.
No:
The
poem will be read by La
Tourette.
Yes:
La
Tourette will read the
poem.
5.
Reduce difficult words to
their simplest terms. Don't
let bureaucrats dictate your
word choices.
No:
The
search committee will be
constructed in accordance with
Article 8 of the NIU constitution.
Yes:
NIU's
constitution dictates the search
committee's makeup.
6.
Don't back into a
sentence.
No:
The
end of the academic year and
the end of the legislative session
were two reasons Dr Val
cited.
Yes:
Dr Val
cited two reasons: the end of the
academic year and the end of
the legislative session.
7.
Don't use more than three numbers in
any one sentence.
No:
Wednesday,
the NIU baseball team's winless
streak hit 22 as NIU (4-37-1)
dropped a twin bill to
Miami
(21-18-1),
8-2
and
10-5,
at
Oxford,
Ohio.
Yes:
Oxford,
Ohio Ñ NIU's baseball losing
streak reached 22 as the Huskies
dropped a doubleheader
Wednesday
to Miami, 8-2 and
10-5.
8.
Use no more than three prepositional
phrases per
sentence.
No:
Students
who will be graduating from NIU
will be honored at a senior luncheon
from 11 a.m. to 2
p.m.
Friday
in
the
Regency
Room
of
the
Holmes
Student
Center.
Yes:
Friday's
senior luncheon will honor
students about to graduate.
The event runs from 11 a.m.
to 2 p.m. in
the
Holmes Student Center's Regency
Room.
9.
Choose the precise
word.
No:
This
will increase the number of participants
from 55 students a week to
200 students a week, and in
that
extra
145 students the age for
attendance also will change.
The present center is only
equipped to handle
children
ages 2-6, but the new
center will have the
capacity to serve infants, too. (2
sentences, 53 words
total)
Yes:
This
will increase the center's
weekly capacity, from 55
children to 200. And, while
the current center takes
children
ages 2-6, the new center
will take infants, too. (2
sentences, 28 words
total)
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Journalistic
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10.
KISS (keep it simple,
stupid).
No:
Biological
sciences professor Karl
Johnson passed away Tuesday
at the age of 55, following a
long,
courageous
battle
with
cancer.
Yes:
Biology
professor
Karl
Johnson
died
of
cancer
Tuesday.
He
was
55.
Using
quotes
The
best quotes are short and
bright. They surprise, shock or
amuse. They reveal insights or
secrets. They
prove
points. They allow experts to give
perspective, and real people to air
grievances. Don't quote
simple
statements
of fact.
Sins
to avoid when quoting
people
·
Stutter
quotes: Saying
the same thing twice.
Mayor
Bessie
Chronopoulous
said
"Tuesday
she
will
seek
a
second
term.
I
intend to run for a second
term,"
·
Partial
quotes: Often,
it's less awkward just to
paraphrase.
Weak:
Smith said the money was "spent by
me" in order to buy "better-looking
plants for the
office."
Better:
Smith said he spent the money on
better-looking plants for the
office.
·
Parenthetical
info in quotes
WEAK:
"We can't get (the concrete
barrier) to stay in one place because (La
Tourette) keeps driving into
it," Smith said.
BETTER:
La Tourette's driving habits
appear to be the main
obstacle to keeping the concrete
barrier from being
moved.
"We
can't get it to stay in one place because he keeps
driving into it," Smith
said.
·
Junk
quotes. Vague,
bureaucratic. Quotes that
say nothing.
·
Stacking
quotes. Just
stringing a bunch of them together rather than constructing a
story.
·
Weak
lead quotes.
Empty, boring, vague,
repetitive.
·
Weak
end quotes. Using
any old quote just to finish
off the story.
STORY
ORGANIZATION
Are
you a planner or a
plunger?
·
Planners
execute four or five
elements in advance. Plungers
start tight in and discover
what they want
to
say in the process. But they tend to
write long and then
cut back. They're slower.
They may run
out
of
time and give editors grey
hair.
·
Both
ways can and do work.
But writers need to understand
which one they are and what
works for
them.
·
Being
a plunger requires a good memory
and the ability to formulate in
your head. Being a
planner
requires
marking up notes.
·
Plungers
are better on breaking, deadline stories.
Planners are better on more-complicated,
no deadline
stories.
Source:
www.northernstar.info
136
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