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Introduction
to Mass Communication MCM
101
VU
LESSON
20
ADVERTISING
HAND IN HAND WITH MEDIA
The
area which benefited the most
from the extraordinary growth of mass
media from the
seventeenth
century is advertising. Advertising
generally means announcing new products
and services with
commercial
interest and which people
can use as part of their
daily life.
Always
present before the mass media,
advertisements were, however, few and
far between. People
would
know
little about the products and services
available to them within a society.
Verbal announcements on
the
beat
of drums or distribution of hand-written
bills were common mode of
telling the people around about
something
pertaining to them. It was
never an industry.
At
the time printing process introduced in
the middle of the fifteenth century no
one would have
thought
that
the new invention would lead
to entirely a new industry
which would create jobs
for millions of people
around
the world and generate
enormous business.
Not
only the mass media helped the
advertising industry grow, the later reciprocated in
equal terms and at
present
stage has come when outlets of
mass media are opened
only after ensuring that
ample support from
the
advertising business is available. Fact
is that the two areas
mass communication and advertising
are
essential
for each other's survival.
Here
we will examine the rise of advertising
business as part of mass communication,
its impact on society
and
the help, it provides to mass
media.
Historical
background
In
the colonial period, advertisements
were primarily signboards on
inns, coffeehouses, and
the
likes.
Travelers needed information about
inns, but locals did
not need advertisements in
order to find the
blacksmith
for instance.
The
first newspaper to appear
continuously, the Boston News-Letter,
was
established in 1704. It contained
sporadic
advertisements. Real estate
advertisements, rewards for
runaway apprentices, and
notices of slaves
for
sale were all common, as
were announcements of sale of
articles, wine, and cloth.
These advertisements
were
limited to text; they contained no photographs or
drawings obviously.
Publisher
Benjamin Franklin founded the Pennsylvania
Gazette in
1728. The Gazette
included
more
advertisements
than did any other
colonial newspaper, with up to
half the pages devoted to
advertising.
Franklin
is credited with introducing the
use of large-point headings,
using white space to
separate the
advertisements
from the text, and, after
1750, including illustrations, say
some sort of cartoons
etc.
Over
the next century, there was
little subsequent change in
advertising. Advertisements
provided
information
about goods for sale,
arrivals and departures of
ships, and
coach-schedules.
Print
advertisements were confined
primarily within column rules;
advertisements spanning more
than one
column
were yet to come.
In
the 1860s, newspaper circulation
increased, and magazine and
periodical advertising began.
Advertising
volume
increased markedly. Multicolumn display
advertisements were designed;
their first use was to
call
attention
to the transcontinental railroad bonds that
were being sold to the public. By the
1870s,
multicolumn
advertisements had become common in
most European and American
newspapers.
Advertising
in the backdrop of
Industrialization
Since
advertisements were assuming a very
formal shape along with the
newspapers and
magazines,
the
diffusion of steam power in the 1850s
paved the way for a wave of
technological change in the 1870s
and
1880s.
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Introduction
to Mass Communication MCM
101
VU
The
mass production characterized
much of the west manufacturing by 1890.
Increased mechanization
generated
increased fixed costs,
creating an economic incentive to build
large factories that could
enjoy
economies
of scale in production but
which were dependent on mass
demand.
The
transcontinental railroad allowed relatively low-cost shipment of
goods, making regional or national
markets
economically feasible. Telegraph
wires allowed low-cost and fast
nationwide transmission of
information.
Manufacturers created brand names and
sought to familiarize buyers nationally
with their
product.
Where a housewife had once
ordered a pound of generic baking powder,
now she was
encouraged
to
insist on known quality by
requesting only Royal
Baking Powder.
Interestingly,
manufacturers believed that buyers
were primarily interested in the
quality of the product;
competition
by price was uncommon. National firms
included drawings of sprawling factories
and factory
owners
in their advertisements; the larger the
factory and thus the more
successful the firm, the
higher
quality
the merchandise could be presumed to be.
Singer Sewing Machines,
Steinway Pianos, and
McCormick
Harvesters and Reapers all
produced advertisements of this
sort.
The
need to maintain demand became
especially apparent during the
18931897 economic
depression.
Many
businesses failed; many more
came close. Businesses
needed methods to insulate
themselves from
cyclical
downturns in sales and
production. Advertising was
one tactic they
employed.
Urbanization
and commercials
In
the U.S. only 20 percent of the
population lived in urban areas in
1860, increasing to nearly
40
percent
by 1900. The need for
easy provision of consumer
goods increased as more people therefore
lived
divorced
from the land. It is observed that in
most cases it is the population in
big cities and towns which
is
targeted
by the advertisers. The trend
was stemmed in the beginning.
By
1900, advertising in newspapers was
supplemented by advertising on streetcars, on
billboards, and in
magazines.
Full-page advertisements, especially in
women's magazines, sought to influence
women's
choices.
Ladies'
Home Journal, established
in 1883 by Cyrus H. K. Curtis, led the
way. The Crowell
Publishing
Company
founded Women's
Home Companion. William
Randolph Hearst began
Cosmopolitan,
Good
Housekeeping,
and
Harper's
BAZAAR. Between
1890 and 1905 the monthly
circulation of periodicals
increased
from 18 million to 64
million.
Advertising
Agencies
Advertising
agents were middlemen in 1850. They
bought advertising space from
newspapers and
resold
it at a profit to a company seeking to
place an advertisement.
Beginning
in about 1880, N. W. Ayer and
Son of Philadelphia offered its
customers an "open
contract"
under
which Ayer would be the
company's sole advertising agent
and, in exchange, would
price advertising
space
at cost plus a fixed-rate commission.
The idea caught on.
Manufacturers were soon blocked
from
buying
advertising space without an
agent.
In
1893, the American Newspaper Publishers
Association agreed to not allow
discounts on space sold
to
direct
advertisers. Curtis Publishing Company, publishers of
Ladies'
Home Journal, inaugurated
the same
practice
in 1901, and other magazine
publishers soon followed
suit. The cost-plus-commission
basis for the
agency
was accepted industry wide in
1919, with the commission
standardized at 15 percent.
Until
the 1890s, conceptualization and preparation of
advertising copy were the responsibility of the
firm
placing
the advertisement. But as companies
followed N. W. Ayer & Son's
cost-plus-commission pricing
policy,
agents could no longer compete with
each other on price; they
needed some other means
of
distinguishing
their services from those of
competing agents.
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Introduction
to Mass Communication MCM
101
VU
Advertising
agents--soon to be known as advertising agencies--took
on their modern form: writing
copy;
creating
trademarks, logos, and
slogans; and overseeing preparation of
artwork. Ayer hired a
full-time
copywriter
in 1892; Procter and Collier
of Cincinnati did so by 1896;
Lord Thomas of Chicago did
so by
1898.
By 1910, advertising agencies were
universally characterized by the presence of
full-time copywriters
and
artists.
One
step in convincing others
that advertising was a profession to be
taken seriously was the
1917
formation
of the American Association of Advertising
Agencies.
The
Association crafted broadly defined
industry standards. Thereafter, the
industry was quickly
afforded
the
respect it desired. In 1926,
President Calvin Coolidge addressed the
Association's annual
convention.
For
its ability to create mass
demand, he credited advertising with the
success of the American industrial
system.
Modern
Advertising
Modern
advertising--advertising with the goal of
creating desire for a
product where none
previously
existed--began in the early twentieth
century. With the blessing of leaders in
the advertising
industry,
academic psychologists had
begun applying principles of psychology
to advertising content in the
late
1890s.
In
1901, psychologist Walter Dill
Scott, speaking on the psychology of
advertising, addressed a gathering
of
businessmen.
His book The
Theory of Advertising appeared
in 1903. Advertisers were initially
skeptical of
Scott's
thesis that psychological principles,
especially the concept of suggestion,
could be effectively applied
to
advertising.
Public
service advertising
The
same advertising techniques used to
promote commercial goods and
services can be used
to
inform,
educate and motivate the
public about non-commercial issues,
such as AIDS, political
ideology,
energy
conservation, religious recruitment, and deforestation
advertising, in its non-commercial guise,
is a
powerful
educational tool capable of
reaching and motivating
large audiences.
Public
service advertising, non-commercial advertising,
public interest advertising,
cause marketing, and
social
marketing are different terms
for (or aspects of) the
use of sophisticated advertising and
marketing
communications
techniques (generally associated
with commercial enterprise) on behalf of
non-commercial,
public
interest issues and
initiatives.
In
the United States, the granting of television
and radio licenses is
contingent upon the station
broadcasting
a certain amount of public service
advertising. To meet these
requirements, many
broadcast
stations
in America air the bulk of their required Public
Service Announcements during the late
night or
early
morning when the smallest
percentage of viewers are
watching, leaving more day
and prime time
commercial
slots available for high-paying
advertisers.
Public
service advertising reached its
height during World Wars I
and II under the direction of
several
governments.
Advertisement
impact
An
ongoing conflict thus arose
in the early twentieth century
between two types of
advertising:
"reason-why"
and "atmosphere" advertising. Dominant in
the late nineteenth century,
reason-why
advertising
consisted of long, detailed discourses on
the features of a product. Atmosphere
advertising
reflected
psychology's influence; it emphasized
visual imagery that evoked
emotions. The conflict
between
the
two types of advertising was
especially intense in the decade before
World War I (19141918).
In
1909, the advertisers of Colgate
toothpaste took the conflict directly to
consumers, giving them the
opportunity
to decide "Which Is the Better Ad?"--the
one that offered a detailed
explanation of the health
62
Introduction
to Mass Communication MCM
101
VU
advantages
of Colgate toothpaste, or the one that
used illustrations to associate the use
of Colgate with a
happy
family life.
Most
practitioners and advertisers were
won over by about
1910
Psychologists
were judged correct; advertising could
change needs and desires.
After 1910, most
advertising
copy emphasized buyers'
needs and desires rather
than the product's objectively
described
characteristics.
WWI
Advertising's
success during World War I
fully settled the issue.
Most advertisements sounded
a
patriotic
pitch as they sought to sell
Liberty and Victory Bonds,
raise money for the Red
Cross, and more.
Some
advertising historians even credited the
industry with shortening the war.
Textbooks
A
number of advertising textbooks appeared in the
1920s, authored by professors of
psychology
whose
academic affiliations were
often with schools of
business. Surveys sought to
ascertain the
fundamental
wants or desires of human
beings. A typical list would include
appetite, love, sexual attraction,
vanity,
and approval by others. Atmosphere
advertisements emphasized how a
product could satisfy
these
desires.
Advertisers
increasingly looked upon themselves as
quite set apart from the
consumers who saw their ads.
Copywriters were
male.
Consumers were female. Roland Marchand,
author of Advertising the
American Dream (1985), found
that advertisers
in
the 1920s and 1930s were
predominantly male, white,
Christian, upper-class, well-educated
people who frequently employed
servants
and even chauffeurs, and whose
cultural tastes ran to modern
art, opera, and symphonies.
They saw their audience
as
female,
fickle, debased, emotional, possessing a
natural inferiority complex,
having inarticulate longings,
low intelligence,
and
bad
taste, and being culturally
backward. The copy and
visual imagery created by these
advertising men often emphasized
the
woman's
desire to be loved or her desire to be a good
mother.
Criticism
on advertisements
Advertising
is often charged with
creating a culture of consumerism in
which people define
themselves
by the goods they buy. Certainly the
first big boom in advertising
volume and the rise
of
consumerism
are coincidental: Consumerism first
characterized the United States in the
early twentieth
century;
advertising volume increased at an annual
rate of nearly 9 percent
between 1900 and
1920.
Moreover,
it was in this period that advertising
first began emphasizing the
ability of goods to
meet
emotional
needs and, more to the
point, first began its
efforts to create needs
where none had previously
been
felt.
Advertising
business
U.S.
Census Bureau, Statistical
Abstract of the United
States: 2001
YEAR
AMOUNT-GROWTH
PERCENTAGE
(billions
of dollars)
1900
0.5
--
1920
2.9
8.8
1929
3.4
1.7
1946
003.3
0.1
1960
011.9
9.5
1970
019.6
5.1
1990
129.6
9.9
2000
236.3
6.2
NOTE:
The
most recent media development, the
Internet, was advertisement-free until
the first banner advertisements
were
sold
in 1994. Ownership of computers
and use of the Internet are both
increasing rapidly; by 1999, 34
percent of adults
nationwide
claimed access to the Internet or an
online service. Internet advertising
increases apace.
Legislation
on advertisements
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Introduction
to Mass Communication MCM
101
VU
Consumer's
objections to advertising and its tactics
have resulted in legislation, lawsuits,
and
voluntary
restraint. The 1914 Federal
Trade Commission Act
empowered the Federal Trade
Commission
(FTC)
with the authority to regulate
"unfair methods of competition."
The 1938 Wheeler-Lea
Amendment
extended
the FTC's powers to "unfair or
deceptive acts or practices."
The detrimental effects of
billboards
on
the countryside inspired the federal
Highway Beautification Act in
1965, which regulated
placement of
billboards
near interstate highways.
The "Joe Camel" campaign
for Camel cigarettes
introduced by R. J.
Reynolds
in the 1970s resulted in a 1990s
federal lawsuit because of the
campaign's alleged attempt to
hook
kids
on smoking. A voluntary ban on television
advertising by the Distilled Spirits
Council of the United
States
was just one part of its
Code of Good Practice
regarding marketing and advertising,
first adopted in
1934.
Political advertising, with the
goal of swaying voters rather
than consumers, enjoys First
Amendment
protection
but does face some
constraints under state laws
and under the Federal
Communications
Commission's
Equal Access Law as well as the
Federal Election Campaign
Act.
Legislation
was also done in almost all
the European states, in Asia and Australia of
similar nature to
regulate
the business of advertising.
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