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Introduction
to Broadcasting MCM
411
VU
LESSON
08
MUSICAL
PROGRAMS
Music is
undoubtedly lifeline for any
broadcasting station. You can
hardly recall a radio
station
devoid
of music, or musical programs.
The fact remains that an
average radio station
has
around
50 per cent of its broadcast
based one way or the
other on music. It is not
the hallmark
of
routine noncommercial programs
but the commercials, the
advertisements are difficult
to
believe,
to be made without music.
For centuries music has
been providing entertainment
to
people
in some form but with
the arrival of radio in the
last century, it is reaching to
common
people
in all its forms, and
vigor. Not the youth
but all the nine
categories of radio listeners
are
hit
and influenced by musical
entertainment.
To
produce musical programs for
radio is a real challenge to
producers, but you can
work with
some
ease if you understand its
various categories mentioned as
follow:
Classical
Music
Well,
it is perhaps the most
tedious program to produce.
Although few people
understand the
depth
of classical musical, they
know it so well that a
producer can't take liberty
to overlook
even
a minor thing. Secondly, the
people who perform in
classical music are
generally master
{ustads}
of their skills and very
touchy about so many things
- from handling them to
various
other
arrangements in the studio. It is
mandatory on a producer of classical
music program to
make
certain arrangements before
the artists appear in the
studio. For instance the
producer
should
be very strict about the
time of recording. He/she
should have completed all
the
formalities
like the placement of
microphones, the platform
for the artists, the
lights inside the
studio,
the compere of the program
and the recording equipment
must be in ready form.
An
artist
usually comes occupied about
his/her performance and if
they are made to wait
long due
to
very small reasons, they
may get annoyed and
there is a possibility that a
program is not
recorded
at all.
Semi
- classical Music
This
is relatively easier then
the classical music
programs. This includes
production of thumry,
kafi,
ghazals, etc. but still a
great care is required in
handling semi classical
music for this
type
of
program provides basis for
light and modern music.
There is so much of
recordings
available
to choose from to produce a
desired program according to
the need of the time. If
the
semi
classical performers have
been invited for preparation
of a program, all those
areas have
to
be carefully watched which we
have already mentioned in
the production of classical
music.
But
the producer must understand
the difference between the
classical and semi
classical
music
and the elements which
are very essential in the
recording of programs, meant
for the
two
very important
categories.
Light
and Film Music
The
larger part than others
belong to this category of
music entertainment. All day
various
radio
stations remain busy in
airing musical programs
based on this category of
music. At the
same
time it provides a better
opportunity to the producers to
involve more people in
their
program
by answering their letters, or
airing songs of their choice
or these days taking calls
to
play
a desired number. The film
music is also a little risky
area in the sense that
all the songs
produced
by the feature films are
not up to the mark of
broadcasting. In a film they
may fit in
according
to the context of the story
but for a radio listener
these songs are an
independent
piece
of music. In the early age
of radio, there had been
complaints about airing
songs which
were
not in keeping with the
social norms of society.
Consequently those songs
were axed
from
the list of songs which
were found suitable for
their inclusion in various
radio programs.
17
Introduction
to Broadcasting MCM
411
VU
Folk
Music
For
the folk singers the
radio turned out to be a
great blessing. Before
radio, the fork
singers
had
to sing all nights in front
of a limited number of people in
some countryside melas
and
repeat
their performance every
evening to be known among
masses for their skill.
When the
folk
songs were broadcast from
radio and the folk
singers were invited at the
radio stations to
get
their numbers recorded for
the purposes of broadcasting, it
opened new vistas for
the
performers
to capture their audience
and be known in a relatively
short period of time for
their
skill
to render music.
National
Songs/ Arifana Kalam/
Qawwalies
There
has been a great demand in
the world of music to
produce national songs which
have
always
been very popular especially
the songs sung by Madam
Noor Jehan during
the
September
1965 war in which Pakistan
gave an appropriate answer to
the Indian army
which
had
attacked Pakistan all of a
sudden. The national songs
which got popular overnight
are still
cherished
by the music lovers. Equally
popular have been the
Arifana Kalam of Sufi poets
and
the
Qawwalies on various subject
matters. Radio's role has
been very important to look
after
all
areas of music.
Rock,
Pop ...and what
not
Change
in the traditional music was
visible in 80s when western
music started casting
shadows
on the music in subcontinent.
New experiments were
inevitable. This led to
an
introduction
of rock, pop, remix, bhangra
music, and album-music- a
sort of free-for-all.
Some
got
so popular that broadcasting
houses cannot overlook them.
Programs, especially on FM
radios,
are based generally on this
stuff.
Different
Recording Mood
All
music programs need
different recording mood,
atmosphere, treatment and
orchestra. The
arrangement
of microphones at appropriate points
perhaps keeps the technical
team in the
spin
till final take is done.
Still it leaves much to be
desired.
New
Voices
Most
difficult part for a
producer is to introduce new
voices - the voice quality,
music
knowledge
and the will of performers
must come together to
justify the launch of a new
voice
in
the world of music. Most
producers arrange separate
programs for the
newcomers... but
some
time down the line
they have to join the
main stream and appear in
regular shows.
Musical
Conferences
Such
moots are getting popularity
these days. Here, the
program may last almost a
week, with
a
change of music categories
almost every day. With
the presence of audience,
the job of a
producer
to justify managing and
airing these conferences is a
real challenging job.
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