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CAREER IN BROADCASTING:Production, Direction, Lighting Director, Script Writer

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Introduction to Broadcasting ­ MCM 411
VU
LESSON 44
CAREER IN BROADCASTING
As we study Introduction to Broadcasting, and so far covered almost all the areas of
broadcasting ­ from the start to-date, it will be pertinent to give a sight to what lies in store as
jobs for the students of this subject.
The invention of radio, and later the introduction of TV broadcast, seems to have done a great
deal in providing jobs to tens of thousands of young people all across the world in various
fields which are either directly or indirectly concerned with broadcasting.
The jobs could be divided in various categories as far return is concerned, but generally
speaking the wages in the field of broadcasting are very competitive, and people working with
radio stations or TV channels command a fair amount of respect in society.
The jobs in broadcasting have a global dimension. People who know these jobs are in a
position to go abroad and work with some broadcasting house. More you know, more fortune
it brings to you. Since the electronic media is growing fast, not only in Pakistan and South
Asia, it is still one of the most lucrative areas for investment across the world, the jobs to
competent people are available frequently.
Here we shall give a long sight to what jobs are available to young men and women who
intend to join the world of broadcasting.
Production
What immediately comes to mind as we qualify in the subject of electronic media is the field of
production. A producer's job seems a natural choice as it is exactly what students learn in this
subject.
A producer is supposed to knowing all nuts and bolts of producing a program for radio or
television. This job has two clear areas:
At first the producer must know what exactly is the nature of program and what type of people
are required to accomplish the job. He must understand as who can write script for the
program, who should work as an anchorperson, and what technical facilities and staff are
required to record the program
Secondly, producer is also a managerial job. The producer is to manage all the matters
related to the production of the program. The availability of space (studios), equipment, props,
writer, editor, graphics, sound and the compere. Any thing missing from this list of
arrangements would not allow a program to take its final shape.
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Introduction to Broadcasting ­ MCM 411
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Since production is a tough ask, usually the broadcasting houses, both radio and TV, prefer to
offer job of assistant producer to newcomers. In this case the young people, who have to
become full producer some day, have only to manage part of the responsibilities in the
beginning and gradually they learn to manage other affairs. It depends how quickly one learns
and make progress to be made a producer.
Producer specialization
Production, as we now know, is a vast field. One producer can't ­ exceptions apart, ensure
quality production in all areas of production. So as you work as an assistant producer with
some broadcasting house, you are afforded opportunities to select areas of your liking. Main
areas to choose from are: news, current affairs, programs (dramas, documentaries, shows
etc) and music.
Direction
Though sometime producers are supposed to work as directors, but lately most broadcasting
houses have come to believe that to produce a high quality program, they need to have a
separate person as director. This arrangement reduces pressure on producers and at the
same time gives a free hand to directors to experiment and put more vision for the success of
a program.
A director in broadcasting is the one who fully understand the concept of the program, the
performers, sound effects and the budgeting matters so that a production must not prove too
costly to be undertaken. Since he specializes in his job, he is more aware of locales and the
timing about shooting in the outdoor as well. He is cautious of the fact that a program has to
be complete in a given timeframe.
Lighting Director
A lighting director is an independent job. Working closely with the program director, a lighting
director specializes in the job of making lights available at different angles to give scene in
visual production a correct mood and make the perspective clear. In most productions world
over and in Pakistan too, lighting directors are employed to ensure quality production. As a
fairly specialized job, students who take more interest in this field can have an independent
job in this area.
Set Designers
Like lighting directors, the set designers' job belongs to TV broadcast. Almost every
production for television is done on some set, speaks about the vastness of the job. This area
also demands specialization. Students, who are more interested in visual communication,
stand a fair chance to qualify for the job of set designer.
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Introduction to Broadcasting ­ MCM 411
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Script Writer
There is hardly a radio or TV program ­ from news to dramas, which is done without script.
People who have good communication skills, and command over the language are very likely
to succeed in the job of script writer. Highly respected and paid, the script writing job is always
available with broadcasting houses.
Anchorperson
Most programs on FM radios or TV channels need a person who should regulate the program
(only, news reading offers a complete career job) generally they are called anchorpersons. A
detailed view about them has been given in a previous chapter, it is only to repeat here that a
fine a reasonably paid job is available to people who are good in exploiting various
characteristics of voice, dialogue delivery and possess a good voice and confidence.
Technical Jobs
Though not be directly, some technical jobs like recording on panel, camera operating and
editing on different computer software are but few technical areas where jobs have been
created with the growth in electronic media.
Investment
It must be an encouraging sign for students of broadcasting that huge investment is coming in
this field. An FM radio station may create new jobs to few dozen people; a new TV channel
needs fresh people by hundreds if it is to survive in the market. The opening of FM radios and
zest to open TV channels is growing fast, only ensuring mass communication, particularly
students of broadcasting, and a good future ahead. Proof of this fact is the presence of young
men and women at the FM and TV channels which have opened only recently. The only thing
you need is to study hard, listen instructors carefully and observe as much as you can the
operations of various broadcasting houses. Success is guaranteed.
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Table of Contents:
  1. BROADCASTING:Historical Facts about Radio, Wireless and Radio
  2. CLASSIFICATION OF PROGRAMS:NEWS, Language, Sensationalizing
  3. CURRENT AFFAIRS:Talk Shows, Discussions, Seminars, Live Shows
  4. OUTDOOR BROADCASTING I:VIP Movement, Suddenly Assigned Events
  5. OUTDOOR BROADCASTING II:Pakistan Day March Past, General Elections
  6. CURTAIN RAISER:Political, Financial, Sports, Academics
  7. RADIO FEATURE:Personality Features, Features on Events
  8. MUSICAL PROGRAMS:Classical Music, Light and Film Music, Folk Music
  9. RADIO DOCUMENTARY:Narrative, Dramatized, Imagination, Close to places
  10. DISC JOCKEY:Women in Focus, Daily/ Weekly Division, Making Titles
  11. VOICE IN BROADCASTING:Speech, Accent, Loudness, Stress
  12. NOISE:Physical, Medium itself, Problem at sender’s end, Semantics
  13. STUDIO:Drama Studio, Studios for Talk Shows/ Discussions, Music Studios,
  14. RADIO DRAMA I:Stage Dramas, Early Radio Dramas, Ethics, Classification
  15. RADIO DRAMA II:Selection of director, The Playwrights, Script, Voices
  16. ADVERTISEMENT – INCOME GENERATION:Similarities, More Analysis
  17. ADVERTISERS’ APPROACH:Dramatized, Dialogue based, News
  18. FM – A NEW GENERATION IN BROADCASTING:Low Cost, The Difference
  19. MICROPHONE TO TRANSMITTER:Amplifiers, Modulator, Transmitter
  20. WRITING SCRIPT FOR RADIO BROADCAST:NEWS Script, Interviews
  21. INTERACTIVE BROADCASTING:On-line, E-mails, Interview, Views in News
  22. REVISION:CURRENT AFFAIRS, RADIO FEATURE, MUSICAL PROGRAMS
  23. HISTORY OF TELEVISION:Early History, The Black & White Images, Color Television
  24. PAKISTAN TELEVISION (PTV):The Excitement, Timing, Live Broadcast
  25. BROADCASTING LAWS:Laws in the 19th century, Press Council of Pakistan
  26. REPLICAS OF RADIO BROADCAST:The Staff, News Reading, Programming
  27. NEW SCRIPT WRITING AND DIRECTION TECHNIQUES:TV Script
  28. SETS:Permanent Sets, Hot & Cover Sets, Special Sets, Economical
  29. CAMERA SHOTS – THE VISUAL LANGUAGE:Angle Shots, Movement shots
  30. LIGHTS IN VISUAL BROADCASTING:Light Temperature, Light and Distance
  31. INTERIOR AND EXTERIOR:NEWS and Interviews, Dramas and Music
  32. BROADCASTING AND MEDIA IMPERIALISM:The truth in the debate
  33. ENVIRONMENT OF TV BROADCAST:Optical Illusions, POV, Depth of Field
  34. BUDGET:First Part, Second Part, Third Part, The Sponsors
  35. COMPARISON AND CONTRAST OF DIFFERENT RADIO AND TV FORMATS:TV NEWS
  36. CURRENT AFFAIRS – FROM RADIO TO TV:Seminars, Interviews
  37. PRE-PRODUCTION:Brain Storming, Scripting a new program, Approval
  38. PRODUCTION & POST-PRODUCTION:Booking Shifts, Rehearsals
  39. TV ADVERTISEMENTS – MONEY WITH ENTERTAINMENT:Early Phase, Getting Spots
  40. ENIGMA OF MORE CHANNELS:The Investment, Fresh Ideas, Closure of channels
  41. ANCHORPERSON:Appearance and Confidence, Job Opportunities
  42. COMPARISON BETWEEN RADIO AND TV BROADCAST:The Difference, Script
  43. TERRESTRIAL TO SATELLITE TO CABLE TV:Cable Network, CD Channels
  44. CAREER IN BROADCASTING:Production, Direction, Lighting Director, Script Writer
  45. REVISION (LESSON 23 TO 44):Broadcasting Laws, PEMRA, Budget