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Introduction to Broadcasting ­ MCM 411
VU
LESSON 01
BROADCASTING
The subject of broadcasting has assumed a global recognition. With so much advancement
being done in the field of mass communication, the use of air waves for putting the message
across is now a reflex matter in our daily life. Study of the subject gives us clear guidelines as
how best a society can benefit from the gains of these advancements.
Beginning with FOUR BASIC questions
Why to broadcast?
The foremost thing coming to mind is why it is so essential to broadcast something. Well,
growth in the size of societies requires some mechanism to keep people informed about a
number of developments taking place around them to make their life organized, smooth and at
times, to relieve them of their routine anxieties. Such rapid communication helps societies to
improve their quality of life as well.
What to broadcast?
This is a sensitive area. The selection of programs for the purposes of broadcast leads to all
sorts of complications at the later stages. Broadly speaking, the presentations could be
categorized in the following pattern:
Programs for religious affairs, children, women, forces, farmers, business community,
curricula-based-education, sports, whole spectrum of people like plays, music, shows,
interviews, news and views, comic, and live commentary on a range of daily life activities. ...
and still room available to think of more.
To whom to broadcast?
It is a haunting question for a producer of different broadcasts. But there must be a good
amount of distinctness in his, or her, mind as who is targeted for a certain program. Others
(outside the target listeners) may benefit from the program but it essentially remains focused
for a particular segment of people.
This greatly helps the producers in the selection of script and presenters (we shall discuss this
in detail in coming lectures). Otherwise, he will remain confused all the time in shaping the
program. For example, a program addresses the youth; - its script, anchor background music
and choice of quotes to stress different aspects of the topic would be peculiar for the young
people... though other than youth can also enjoy it.
Likewise a program meant for women will be designed as to address the fair sex, but others
are not barred to listen to it. This makes matters easier for the production team.
When to Broadcast?
Not all times are fit for all types of transmissions. A long sight has to be given to various
categories and types of programs for drawing a time schedule for them. Usually religious
programs are aired in the morning by most broadcasting houses which is very logical.
Normally programs for women are broadcast at 11 am or around, assuming that they are free
after having done their early morning chores like making breakfast and sending children to
school etc. News are broadcast traditionally right at the start of an hour so that people can get
them. Dramas are broadcast at a time when presumably every one is at home and want to
1
Table of Contents:
  1. BROADCASTING:Historical Facts about Radio, Wireless and Radio
  2. CLASSIFICATION OF PROGRAMS:NEWS, Language, Sensationalizing
  3. CURRENT AFFAIRS:Talk Shows, Discussions, Seminars, Live Shows
  4. OUTDOOR BROADCASTING I:VIP Movement, Suddenly Assigned Events
  5. OUTDOOR BROADCASTING II:Pakistan Day March Past, General Elections
  6. CURTAIN RAISER:Political, Financial, Sports, Academics
  7. RADIO FEATURE:Personality Features, Features on Events
  8. MUSICAL PROGRAMS:Classical Music, Light and Film Music, Folk Music
  9. RADIO DOCUMENTARY:Narrative, Dramatized, Imagination, Close to places
  10. DISC JOCKEY:Women in Focus, Daily/ Weekly Division, Making Titles
  11. VOICE IN BROADCASTING:Speech, Accent, Loudness, Stress
  12. NOISE:Physical, Medium itself, Problem at sender’s end, Semantics
  13. STUDIO:Drama Studio, Studios for Talk Shows/ Discussions, Music Studios,
  14. RADIO DRAMA I:Stage Dramas, Early Radio Dramas, Ethics, Classification
  15. RADIO DRAMA II:Selection of director, The Playwrights, Script, Voices
  16. ADVERTISEMENT – INCOME GENERATION:Similarities, More Analysis
  17. ADVERTISERS’ APPROACH:Dramatized, Dialogue based, News
  18. FM – A NEW GENERATION IN BROADCASTING:Low Cost, The Difference
  19. MICROPHONE TO TRANSMITTER:Amplifiers, Modulator, Transmitter
  20. WRITING SCRIPT FOR RADIO BROADCAST:NEWS Script, Interviews
  21. INTERACTIVE BROADCASTING:On-line, E-mails, Interview, Views in News
  22. REVISION:CURRENT AFFAIRS, RADIO FEATURE, MUSICAL PROGRAMS
  23. HISTORY OF TELEVISION:Early History, The Black & White Images, Color Television
  24. PAKISTAN TELEVISION (PTV):The Excitement, Timing, Live Broadcast
  25. BROADCASTING LAWS:Laws in the 19th century, Press Council of Pakistan
  26. REPLICAS OF RADIO BROADCAST:The Staff, News Reading, Programming
  27. NEW SCRIPT WRITING AND DIRECTION TECHNIQUES:TV Script
  28. SETS:Permanent Sets, Hot & Cover Sets, Special Sets, Economical
  29. CAMERA SHOTS – THE VISUAL LANGUAGE:Angle Shots, Movement shots
  30. LIGHTS IN VISUAL BROADCASTING:Light Temperature, Light and Distance
  31. INTERIOR AND EXTERIOR:NEWS and Interviews, Dramas and Music
  32. BROADCASTING AND MEDIA IMPERIALISM:The truth in the debate
  33. ENVIRONMENT OF TV BROADCAST:Optical Illusions, POV, Depth of Field
  34. BUDGET:First Part, Second Part, Third Part, The Sponsors
  35. COMPARISON AND CONTRAST OF DIFFERENT RADIO AND TV FORMATS:TV NEWS
  36. CURRENT AFFAIRS – FROM RADIO TO TV:Seminars, Interviews
  37. PRE-PRODUCTION:Brain Storming, Scripting a new program, Approval
  38. PRODUCTION & POST-PRODUCTION:Booking Shifts, Rehearsals
  39. TV ADVERTISEMENTS – MONEY WITH ENTERTAINMENT:Early Phase, Getting Spots
  40. ENIGMA OF MORE CHANNELS:The Investment, Fresh Ideas, Closure of channels
  41. ANCHORPERSON:Appearance and Confidence, Job Opportunities
  42. COMPARISON BETWEEN RADIO AND TV BROADCAST:The Difference, Script
  43. TERRESTRIAL TO SATELLITE TO CABLE TV:Cable Network, CD Channels
  44. CAREER IN BROADCASTING:Production, Direction, Lighting Director, Script Writer
  45. REVISION (LESSON 23 TO 44):Broadcasting Laws, PEMRA, Budget