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Introduction
to Broadcasting MCM
411
VU
LESSON
13
STUDIO
As we
mention of a radio station
what comes to the mind
immediately is a studio from
where
all
transmissions are made and
programs are recorded in a
very orderly manner. It is
true to
some
extent but with the
advancements made in the
field of broadcasting, things
have
drastically
changed in the overall
environment of the broadcasting
world and also in
the
setting
up of studios for various
purposes. What basically
makes a studio appear
different
from
an ordinary room needs some
details which must be
understood by those interested
in
broadcasting.
A
studio is a primary requirement of a
broadcasting house. It is a room-like
structure from
outside
but from inside it is
different. The first thing
which makes it diverse is
the special
treatment
given to its walls which
are covered with a variety
of substances to ensure that
no
sound
passes through them. That is
why they are called
sound-proof. To make sure
that no
sound
is produced even if some one
is walking on the floor of
the studio, special
leather
covering,
or a carpet is put on it.
The doors are so tightly
closed that any sound
produced
outside
is not heard inside.
Studios
are fitted with proper
microphones, recoding system,
lights and booths for
producers
to
control recordings or
transmissions.
Here
below are details of
different forms of frequently
used studios:
News
Studio
Perhaps
the simplest of all studios
at a radio station is the
one meant for broadcasting
news. It
is
small in size, with a table
fitted with a microphone
along with a chair, a table
lamp if lights
otherwise
are not enough. Since
radio news are read by
one person, contrary to TV
news
which
are some time read by
more than two people in a
single bulletin, there is
little room for
more
people to stay there. Since
no background effects are
required at a news studio,
no
other
equipment is placed
there.
Studios
for Talk Shows/
Discussions
Since
long it has been a practice
by different broadcasting houses to
invite people from
different
walks of life, their
representatives, city mayors,
ministers and others to
participate in
talks
and discussions, there are
studios which can facilitate
such programs. In this case
a
studio
is not very large in size,
its interior also look
different. There is a rather
long table,
which
could help about half a
dozen people to sit around.
The arrangement of microphones
is
also
in a manner that all of them
could easily get their
voice recorded without
creeping up to
the
mike. Since a number of
people are likely to talk at
the same time during
the course of
discussion,
especially if it is a heated debate,
special arrangements are
made to beat the
extra
noise with the help of
different soundproofing systems.
There is always a
different
position
given to the anchor-person so
that he/she could easily
address others and
indeed,
control
them if one of them does
not come to terms.
Drama
Studio
Very
different from two
categories mentioned above. At a
radio station studios meant
to record
dramas
usually have a standing
arrangement for the
performers, so there is no question
of
placing
chairs there. The performers
keep standing as they
deliver dialogues by
holding
scripts
in their hands, and keep
moving away a step or two
and then coming back, to
create
27
Introduction
to Broadcasting MCM
411
VU
an
impression that they are
coming in or going out of
the scene. Mike is usually
placed in the
center
of half circle. More
when we will come in the
chapter of dramas... But
table and chair
are
placed within the studio at
some distance for people
who have to give background
effects,
by
playing on the table itself
or putting their equipment
for playing musical notes
for sound
effects.
It is a fun watching a drama
being recorded under such an
arrangement. You can
watch
it from the booth which is a
separation within a studio
with a glass sheet where
director
and
recording panel take their
position. You may find more
lights here as compared to
other
studios
so that performers could
easily read their script
and receive cues from
the director.
Music
Studios
Again,
these facilities are
tailor-made. These days no
broadcasting house can
afford to do
without
these studios. Size of the
studio can vary according to
the need, but other
facilities are
almost
the same. Here, too,
little arrangement for table
and chairs is made
available. Usually
the
singers and composers sit on
the carpets, rehearse and
get their items recorded. It
is
rather
difficult for the directors
to handle a music studio for
you need proper cabling
and
recording
panels to record separately
the singer and the
musical instruments or the
orchestra.
At
times every thing is OK but
the violinist is little away
from the mike. When
mike is moved
close
to him, the drummer is not
getting its effects recorded
properly. And if it is duet to be
recorded,
the mike problem may
occur the same way.
Since handling the
performers, if one is
high
in ranking, it becomes a very
delicate job for the
director and assistant
directors to
manage
matters in a smooth way.
That is why most radio
stations employ directors
who have
a
cut for such a
job.
These
are but few very
well known forms of studios.
In practice different broadcasting
houses
may
have purpose built studio
which serve a more specific
job like running
commentaries, for
VIPs
when they have to talk to
people from a radio station
and for recording children
programs
where
children are usually invited
to participate.
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