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NOISE:Physical, Medium itself, Problem at sender’s end, Semantics

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Introduction to Broadcasting ­ MCM 411
VU
LESSON 12
NOISE
In a common way, noise refers to sounds and voices. But in communication it means
altogether different. Anything in any form, which distorts or hampers true meaning of a
message, is understood as noise. If we talk in general, we notice that more than often a
message does not reach the receiver the way it is intended by the sender, that is, it loses part
of meaning, or the whole meaning, some where in the way. This situation frequently results in
creating misunderstandings between the sender/broadcaster and the receiver/the listener.
Some time message does not reach the receiver at all. This is an irritating situation in
communication.
But it does not imply that communication, particularly on the electronic media where noise is
more likely to play a part, is not possible. It is difficult though. Once a problem is marked one is
always likely to fix it. This is true the same fashion in the case of noise; we first try to mark the
sour part and then try the ways to overcome it. In broadcasting, fortunately, more room is
available to whip the trouble.
Now we will discuss various areas of noise, broadcasters/ producers in particular, must be
aware of, along with some reasonable way out.
Physical
As the message travels through different media, some physical distortion takes place, not
allowing the announcements, music, news, talks, road shows or any piece of broadcast to be
heard properly. The distortion in listening to a program due to physical factors has always
caused serious concern for the radio people. But over the years there has not been a
satisfactory solution found to overcome this problem. However, with the help of making the
transmission strong, and introducing some improvements in the components responsible to
receive the signal and making it strong, the audibility of radio message has been improved
considerably but completely overpowering the distortion problem has not yet been made
possible. Physical noise has many forms;
A
Medium itself
The medium used for this purpose is weak, low quality or under influence of other
factors ­ just as amplitude modulation problem in broadcast transmission when static current
is produced by thundering clouds, a motorbike with damaged spark plug or due to high tension
overhead wire.
B
Problem at sender's end
Think of a situation when you are making a telephonic call and there is so much sound
around you, it may be railway platform. you may be asking some one to pick you at three but
due to rustle around you, the receiver understands three as free. Result; you may very well
imagine.
That is why every possible effort is made at a broadcasting station to keep a studio as
sound-proof as possible so that at least there is no such situation when the message is being
delivered.
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Introduction to Broadcasting ­ MCM 411
VU
C
Problem at receiver's end
Likewise, receiver is at a place, which is very hurly, burly and full of clamor. He/she
may not understand the message. You might have notice in such a situation when a receiver
rushes away to find a calm place so that message could be understood. If there is a TV
program going on, and phone bell rings, what you do first is to mute the sound of the program
only to enable you to receive the message properly. If a man is telling from his office to wife on
telephone to dine outside this evening, and the wife, holding a crying baby in her lap,
understands as the husband wants a good meal in the evening. What the couple would be
talking in the evening is any body's guess.
Psychological/ Bias
Another very strong area of a message largely misunderstood, is the psyche of the sender and
receiver. A message from rich to poor and the same message from rich to rich will carry a
different meaning. For instance chairperson of a company asking chairperson of another
company to come to attend marriage part of his son, and the same message conveyed to the
low ranking staff in his organization, will carry different psychological approach. This is too
often observed in dramas or talk shows where characters with different social and economic
background encounter each other.
At a conference there is a Jew and a Palestinian. What they talk is completely differently
understood by an audience, which comprises delegates from Arab countries and western
nations.
There are two real brothers in a family... one very rich other ordinary. Whose voice will carry
more weight in family affairs is any body's guess. The shaping up of meaning in a
psychological background is sometime so difficult to be kept to the true meaning of the
message, a broadcaster must be cautious of.
Semantics
This part of noise problem refers to the meaning of words or phrases which stand different to
different people, though they do not have any psychological or physical problems.  For
instance if a person knowing English language to a better extent, says he visits Malaysia once
in blue moon, his Korean friend may reply that his company does not deal in moons but it
produces glistening stars, meant to decorate functions. Think they are traveling in an airplane
and keep talking on this matter till landing and still they fail to understand what they mean to
each other.
A radio producer must know that a piece of broadcast is meant for a very large size of
audience. The sound of words and articulation of the sentences must be done in a fashion as
to make every body understand the message in its best possible form. This is possible, or near
possible, when the language selected for radio broadcast is simple, the voice quality of the
talent is good ­ good enough to utter proper sound of each syllable of the word, and with a
speed which helps every listener to understood the broadcast clearly. This would only help to
minimize the occurrence of semantic problem which is otherwise quite common in mass
communication.
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Table of Contents:
  1. BROADCASTING:Historical Facts about Radio, Wireless and Radio
  2. CLASSIFICATION OF PROGRAMS:NEWS, Language, Sensationalizing
  3. CURRENT AFFAIRS:Talk Shows, Discussions, Seminars, Live Shows
  4. OUTDOOR BROADCASTING I:VIP Movement, Suddenly Assigned Events
  5. OUTDOOR BROADCASTING II:Pakistan Day March Past, General Elections
  6. CURTAIN RAISER:Political, Financial, Sports, Academics
  7. RADIO FEATURE:Personality Features, Features on Events
  8. MUSICAL PROGRAMS:Classical Music, Light and Film Music, Folk Music
  9. RADIO DOCUMENTARY:Narrative, Dramatized, Imagination, Close to places
  10. DISC JOCKEY:Women in Focus, Daily/ Weekly Division, Making Titles
  11. VOICE IN BROADCASTING:Speech, Accent, Loudness, Stress
  12. NOISE:Physical, Medium itself, Problem at sender’s end, Semantics
  13. STUDIO:Drama Studio, Studios for Talk Shows/ Discussions, Music Studios,
  14. RADIO DRAMA I:Stage Dramas, Early Radio Dramas, Ethics, Classification
  15. RADIO DRAMA II:Selection of director, The Playwrights, Script, Voices
  16. ADVERTISEMENT – INCOME GENERATION:Similarities, More Analysis
  17. ADVERTISERS’ APPROACH:Dramatized, Dialogue based, News
  18. FM – A NEW GENERATION IN BROADCASTING:Low Cost, The Difference
  19. MICROPHONE TO TRANSMITTER:Amplifiers, Modulator, Transmitter
  20. WRITING SCRIPT FOR RADIO BROADCAST:NEWS Script, Interviews
  21. INTERACTIVE BROADCASTING:On-line, E-mails, Interview, Views in News
  22. REVISION:CURRENT AFFAIRS, RADIO FEATURE, MUSICAL PROGRAMS
  23. HISTORY OF TELEVISION:Early History, The Black & White Images, Color Television
  24. PAKISTAN TELEVISION (PTV):The Excitement, Timing, Live Broadcast
  25. BROADCASTING LAWS:Laws in the 19th century, Press Council of Pakistan
  26. REPLICAS OF RADIO BROADCAST:The Staff, News Reading, Programming
  27. NEW SCRIPT WRITING AND DIRECTION TECHNIQUES:TV Script
  28. SETS:Permanent Sets, Hot & Cover Sets, Special Sets, Economical
  29. CAMERA SHOTS – THE VISUAL LANGUAGE:Angle Shots, Movement shots
  30. LIGHTS IN VISUAL BROADCASTING:Light Temperature, Light and Distance
  31. INTERIOR AND EXTERIOR:NEWS and Interviews, Dramas and Music
  32. BROADCASTING AND MEDIA IMPERIALISM:The truth in the debate
  33. ENVIRONMENT OF TV BROADCAST:Optical Illusions, POV, Depth of Field
  34. BUDGET:First Part, Second Part, Third Part, The Sponsors
  35. COMPARISON AND CONTRAST OF DIFFERENT RADIO AND TV FORMATS:TV NEWS
  36. CURRENT AFFAIRS – FROM RADIO TO TV:Seminars, Interviews
  37. PRE-PRODUCTION:Brain Storming, Scripting a new program, Approval
  38. PRODUCTION & POST-PRODUCTION:Booking Shifts, Rehearsals
  39. TV ADVERTISEMENTS – MONEY WITH ENTERTAINMENT:Early Phase, Getting Spots
  40. ENIGMA OF MORE CHANNELS:The Investment, Fresh Ideas, Closure of channels
  41. ANCHORPERSON:Appearance and Confidence, Job Opportunities
  42. COMPARISON BETWEEN RADIO AND TV BROADCAST:The Difference, Script
  43. TERRESTRIAL TO SATELLITE TO CABLE TV:Cable Network, CD Channels
  44. CAREER IN BROADCASTING:Production, Direction, Lighting Director, Script Writer
  45. REVISION (LESSON 23 TO 44):Broadcasting Laws, PEMRA, Budget