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CHAPTER
I.
PRIMITIVE
AND PREHISTORIC ARCHITECTURE.
BOOKS RECOMMENDED: Desor, Les
constructions lacustres du lac de
Neufchatel.
Fergusson,
Rude
Stone Monuments. R. C.
Hoare, Ancients
Wiltshire.
Lyell, The
Antiquity
of Man.
Lubbock, Prehistoric
Times.
Nadaillac, Prehistoric
America.
Rougemont,
L'age
du Bronze. Tylor,
Primitive
Culture.
EARLY
BEGINNINGS. It is
impossible to trace the early
stages of the process by
which
true architecture grew out of the first
rude attempts of man at building.
The
oldest
existing monuments of architecture--those
of Chaldæa and Egypt--belong to
an
advanced civilization. The rude and
elementary structures built by savage
and
barbarous
peoples, like the Hottentots or the
tribes of Central Africa,
are not in
themselves
works of architecture, nor is any
instance known of the evolution of
a
civilized
art from such beginnings. So far as the
monuments testify, no savage
people
ever
raised itself to civilization, and no
primitive method of building
was ever
developed
into genuine architecture, except by
contact with some existing
civilization
of
which it appropriated the spirit, the
processes, and the forms. How the
earliest
architecture
came into existence is as yet an unsolved
problem.
PRIMITIVE
ARCHITECTURE is
therefore a subject for the archæologist
rather than
the
historian of art, and needs here only the
briefest mention. If we may judge of
the
condition
of the primitive races of antiquity by that of the
savage and barbarous
peoples
of our own time, they required only the
simplest kinds of buildings,
though
the
purposes which they served were the
same as those of later times
in civilized
communities.
A hut or house for shelter, a shrine of
some sort for
worship,
a
stockade for defence, a cairn or mound
over the grave of the chief or
hero, were
provided
out of the simplest materials, and these
often of a perishable nature.
Poles
supplied
the framework; wattles, skins, or mud the
walls; thatching or stamped
earth
the
roof. Only the simplest tools
were needed for such
elementary construction.
There
was ingenuity and patient
labor in work of this kind; but there was
no
planning,
no fitting together into a complex
organism of varied materials
shaped with
art
and handled with science. Above all,
there was no progression toward
higher
ideals
of fitness and beauty. Rudimentary art
displayed itself mainly in objects
of
worship,
or in carvings on canoes and weapons,
executed as talismans to ward off
misfortune
or to charm the unseen powers; but
even this art was sterile and
never
grew
of itself into civilized and progressive
art.
Yet
there must have been at some
point in the remote past an exception to
this rule.
Somewhere
and somehow the people of Egypt must
have developed from
crude
beginnings
the architectural knowledge and resource
which meet us in the oldest
monuments,
though every vestige of that early age
has apparently perished.
But
although
nothing has come down to us of the
actual work of the builders who
wrought
in the primitive ages of mankind, there
exist throughout Europe and
Asia
almost
countless monuments of a primitive
character belonging to relatively
recent
times,
but executed before the advent of
historic civilization to the regions
where
they
are found. A general resemblance
among them suggests a common
heritage of
traditions
from the hoariest antiquity, and throws light on the
probable character of
the
transition from barbaric to civilized
architecture.
PREHISTORIC
MONUMENTS. These
monuments vary widely as well as in
excellence;
some of them belong to Roman or
even Christian times; others
to a much
remoter
period. They are divided into two
principal classes, the megalithic
structures
and
lake dwellings. The latter
class may be dismissed with the briefest
mention. It
comprises
a considerable number of very primitive
houses or huts built on wooden
piles
in the lakes of Switzerland and several
other countries in both hemispheres,
and
forming
in some cases villages of no
mean size. Such villages,
built over the water for
protection
from attack, are mentioned by the
writers of antiquity and portrayed
on
Assyrian
reliefs. The objects found in them reveal
an incipient but almost
stationary
civilization,
extending back from three
thousand to five thousand
years or more, and
lasting
through the ages of stone and bronze down into
historic times.
The
megalithic
remains
of Europe and Asia are far
more important. They are
very
widely
distributed, and consist in most
cases of great blocks of
stone arranged in
rows,
circles, or avenues, sometimes with
huge lintels resting upon them.
Upright
stones
without lintels are called
menhirs;
standing in pairs with lintels they
are
known
as dolmens; the
circles are called cromlechs.
Some of the stones are of
gigantic
size,
some roughly hewn into shape; others left
as when quarried. Their age and
purpose
have been much discussed without
reaching positive results. It is
probable
that,
like the lake dwellings, they
cover a long range of time,
reaching from the dawn
of
recorded history some
thousands of years back into the unknown
past, and that
they
were erected by races which
have disappeared before the
migrations to which
Europe
owes her present populations. That
most of them were in some
way
connected
with the worship of these prehistoric
peoples is generally admitted;
but
whether
as temples, tombs, or memorials of
historical or mythical events
cannot, in
all
cases, be positively asserted. They
were not dwellings or palaces, and very
few
were
even enclosed buildings. They
are imposing by the size and number of
their
immense
stones, but show no sign of advanced art,
or of conscious striving
after
beauty
of design. The small number of "carved
stones," bearing singular
ornamental
patterns,
symbolic or mystical rather than
decorative in intention, really
tends to
prove
this statement rather than to controvert
it. It is not impossible that the
dolmens
were generally intended to be
covered by mounds of earth.
This would
group
them with the tumuli referred to below, and point to a
sepulchral purpose in
their
erection. Some antiquaries,
Fergusson among them, contend that many
of the
European
circles and avenues were
intended as battle-monuments or
trophies.
There
are also walls
of
great antiquity in various parts of
Europe, intended for
fortification;
the most important of these in
Greece and Italy will be referred to
in
later
chapters. They belong to a more
advanced art, some of them even
deserving to
be
classed among works of
archaic architecture.
The
tumuli, or
burial mounds, which form so large a part
of the prehistoric remains
of
both continents, are interesting to the
architect only as revealing the
prototypes of
the
pyramids of Egypt and the subterranean
tombs of Mycenæ and other
early Greek
centres.
The piling of huge cairns or
commemorative heaps of stone is known
from
the
Scriptures and other ancient
writings to have been a
custom of the greatest
antiquity.
The pyramids and the Mausoleum at
Halicarnassus are the most
imposing
and
elaborate outgrowths of this practice, of
which the prehistoric tumuli are
the
simpler
manifestations.
These
crude and elementary products of
undeveloped civilizations have no
place,
however,
in any list of genuine architectural
works. They belong rather to the
domain
of
archæology and ethnology, and have
received this brief mention only as
revealing
the
beginnings of the builder's art, and the
wide gap that separates them from
that
genuine
architecture which forms the subject of
the following chapters.
MONUMENTS:
The most celebrated in
England are at Avebury, an
avenue, large and
small
circles, barrows, and the
great tumuli of Bartlow and
Silbury "Hills;" at Stonehenge,
on
Salisbury Plain, great
megalithic circles and many
barrows; "Sarsen stones"
at
Ashdown;
tumuli, dolmens, chambers,
and circles in Derbyshire. In
Ireland, many cairns
and
circles. In Scotland, circles
and barrows in the Orkney
Islands. In France, Carnac
and
Lokmariaker
in Brittany are especially
rich in dolmens, circles,
and avenues. In
Scandinavia,
Germany, and Italy, in India
and in Africa, are many
similar remains.
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